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the musicology of 19th century repertoire from Jewish shtetls
underpin two string quintets—Ghost Orchestra (Reykjavík) and Possible Orchestra (Winnipeg)—processed and erased in a doleful durational work
refracted variously by free-noise
“Wa Ta'atalat Loughat Al Kalam” (“The Language Of Speech Has Broke Down”) is an expression of wordless love and transcendent communication between two lovers’ eyes in Shawqi’s poem
The result is a captivating collection of minimal IDM and oscillated electronics from the Montréal/Berlin producer
CST131 Eric Chenaux | Slowly Paradise CST087 the musicology of 19th centuryEric Chenaux operates among various musical 'traditions' but perhaps most broadly, his records grapple with the relationship between improvisation and structure in very particular, unique, idiosyncratic ways and quite without irony or cynicism, through love. Because fundamentally, Chenaux writes love songs, which he sings in a voice honeyed and clear, while his guitar gently bends, frazzes, chortles, diverges and decomposes. This juxtaposition of his
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