Flair by Dan Hobday Gallery Wall In the Woods producing a sense of three-dimensional

producing a sense of three-dimensional volume rarely achieved in photography of that era

The matte paper surface preserves the depth and warmth of his brushwork without any surface glare

presenting both subjects with the observational precision characteristic of classical natural history art

There is a collage-like sensibility at work here: the image feels assembled rather than drawn

The sunset isn't depicted literally but suggested through color temperature alone

Flair by Dan Hobday Gallery Wall In the Woods producing a sense of three-dimensional'Flair' by Dan Hobday is minimalism in motion an abstract composition that uses restraint as its primary tool. Soft, atmospheric colour fields give way to deliberate gestural marks, creating a sense of quiet movement and considered calm. Hobday's Devon influenced sensibility is present throughout: unhurried, refined, and entirely without pretension. The portrait format suits the work's meditative quality, letting the eye settle and wander in equal