Schumann, Adagio and Allegro Op. 70 for Cello and Piano (Henle) advanced_violin_shoulder_rests This is followed by Ciaconna

This is followed by Ciaconna which is a continuous set of variations on a constant bass

These German made metronomes have a clockwork mechanism with a swinging pendulum and a bell sound which can be added to the clicking rhythm and made strike on the 2nd

the “Clavier-Büchlein vor Wilhelm Friedemann Bach” from 1720

with Cello Time it really is fun to play

Wittner chin rests guarantee the ultimate in comfort for the violist

Schumann, Adagio and Allegro Op. 70 for Cello and Piano (Henle) advanced_violin_shoulder_rests This is followed by CiaconnaIn 1849 Schumann turned to a new genre: works for piano and accompanying instrument. He showered the different wind instruments systematically with Fantasies, Romances, etc. and always also provided an alternative part for strings. Thus Schumann also wrote an alternative part for his Adagio and Allegro op. 70 for Horn and Piano, namely for the cello. Clara played the new work together with the horn player E. Julius Schlitterlau, writing afterwards in