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matter meets spirit
Slender canes rise with graceful verticality
Fatata Te Miti — "By the Sea" in Tahitian — presents two female figures at the shoreline in a composition of almost ceremonial stillness
and high contrast without bleed
the circular Paseo del Prado anchors the east
Obatan omu Obatan parrot 1926 by Hiroshi Yoshida Warm by Ogawa Kazumasa Gallery Wall matter meets spiritCreated in 1926, Yoshida's Obatan parrot print brings the same atmospheric precision he applied to landscapes to the subject of a single bird. The parrot is rendered in vivid, carefully layered colour, its plumage described through the gradated tonal shifts characteristic of the finest shin hanga work. The composition is direct, even minimal, yet the detail in each feather and the quality of light across the bird's form give it an almost monumental
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