The Three Skulls Art Exhibition By Paul Cézanne July picks directing full attention to the

directing full attention to the figure's form and expression — posture and ornamentation carry the work's emotional register

Angular lines intersect with softened arcs

Pine-clad rocks rise from still water under a sky that holds just enough colour to suggest early morning or fading dusk

while the palette moves from grounded earth tones toward lighter

saturated light of the southern French summer

The Three Skulls Art Exhibition By Paul Cézanne July picks directing full attention to theLate in his career, Czanne returned repeatedly to the skull as subject not as gothic symbol, but as pure form. In The Three Skulls, three craniums are arranged much like his apples and pears: grouped with quiet deliberateness, lit from the side, built up through layered strokes of bone white, grey, and deep shadow. The composition has the same steady authority as his still lifes, yet carries an additional weight. The background is loose and gestural,