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From Kamisaka Sekka's landmark 1909 woodblock series Momoyogusa comes this crane composition — a distillation of the Rinpa tradition into something simultaneously ancient and arrestingly modern
allowing shapes to overlap and blur in a way that feels genuinely nostalgic
The vertical format reads as a kind of still column of air
considered statement
the subtle tonal gradations and sharp edges of Alma's brushwork are rendered with the precision this kind of abstraction requires
Composition Around by Otto Freundlich Vincent Trinidad From Kamisaka Sekka's landmark 1909'Composition Around' exemplifies Otto Freundlich's approach to abstraction: colour treated not as decoration but as architectural material. Interlocking geometric forms irregular, mosaic like press against one another across the picture plane, creating a composition that feels simultaneously fragmented and structurally whole. The palette is bold and declarative, each zone of colour asserting its weight against its neighbours. Rooted in early 20th
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