Collective Actions: Audience Recollections from the First Five Years, 1976-1981 home they believe all good objects

they believe all good objects are crafted with time and care functional or not

while easing our response to everyday stress

Serving platter: 10”

Xena Lopez Art

feminist Matilda Joslyn Gage

Collective Actions: Audience Recollections from the First Five Years, 1976-1981 home they believe all good objectsActive in Moscow since 1976, the Collective Actions group played a key role in the development of conceptual and performance art in the Soviet Union. Inspired by the work of John Cage, the organizers invited audiences to take part in minimal, outdoor actions in fields and forests on the edges of the city that explored the nature of the aesthetic event. These spatio temporal events directed viewers attention to the pure contemplation of their own