Henning Christiansen - Op.41 BADET / Kom Frem For Satan / Min Døde Hest / Op.72 Bondeføreren Knud Lavard wholesale Using the natural resonance and

Using the natural resonance and harmonics of these two instruments to influence their introspective interactions

the band would live

Crystabel's interest in patterns on skins — human and drum

Framed by the always careful

Looking closer

Henning Christiansen - Op.41 BADET / Kom Frem For Satan / Min Døde Hest / Op.72 Bondeføreren Knud Lavard wholesale Using the natural resonance andFour works from 1967 1972 including a poem set in a bath, an unknown musical work, the musical backdrop to a horse sacrifice and a soundtrack to a school play. What binds these works together alongside the period when written is their basis in song and some traditional musical elements. What separates it them fromsaid tradition is that they were composed by Henning Christiansen. Op. 41 Badat is a simple work featuring 3 elements: Charlotte Strandgaard